کتاب مجسمه سازی نیوزیلند

رده : ایبوک, تاریخ هنر, مجسمه سازی
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معرفی کتاب: نیوزیلند
New Zealand Sculpture: A History

مایکل دان (Michael Dunn)
کتاب مایکل دان یک ترسیم و چشم انداز گسترده از سبک مجسمه سازی نیوزلند و توسعه این سبک از استقرار اروپا تا به امروز را معرفی می نماید. این کتاب به عنوان منبع اصلی و مرجع و مطالب فوق العاده خواندنی شناخته شده در زمینه مجسمه سازی نیوزلند بشمار می آید.

مجسمه سازی نیوزلند:
این کتاب با انتشار برای موسسات آموزشی و علاقه مندان هنر در سال ۲۰۰۲ به خوبی مورد استقبال قرار گرفت، در نسخه جدید نویسنده فصلی با عنوان بحران هویت که به نفوذ بین المللی نیوزلند در مجسمه سازی از سال ۲۰۰۰ و همچنین نقش دوسالانه های ونیز، تاثیر مجسمه سازانی از جمله فرانسیس (Francis Upritchard) و رونی ون (Ronnie van Hout) در شکل گیری هنر مجسمه سازی نیوزلند افزوده است.

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New Zealand Sculpture: A History

About:
Michael Dunn
‘Michael Dunn’s book is a sweeping panorama tracing the development of a New Zealand style of sculpture from European settlement to the present. . . . This book is a great read and an important reference source. – A+.’ – Peter Gibbs, Nelson Mail

New Zealand Sculpture: A History was well received by art lovers and educational institutions alike on its publication in 2002. For the new edition, Dunn has added a chapter, ‘Crisis of Identity: Sculpture since 2000’, in which he discusses New Zealand sculpture’s international reach, its role at Venice Biennales and the importance of overseas-based New Zealand sculptors such as Francis Upritchard and Ronnie van Hout. Dunn also sees a new popularity for sculpture with the establishment of several outdoor sculpture walks. The book now charts the growth of sculpture from the era of British imports and influence to the more confident art of the twentieth and twenty-first centuries. It includes a general bibliography and reading lists for each major artist and fourteen new colour plates have been added to the original 76 black and white figures and 92 colour plates.

This handsome book tells the enthralling story of an art form that has gone from strength to strength in recent years.

Author
Professor Emeritus Michael Dunn retired as the Head of the Elam School of Fine Arts at the University of Auckland in 2006. Born in Ashburton and raised in Canterbury, New Zealand, he graduated from the Canterbury School of Fine Arts with a degree in Painting before going on to do Honours and then his Masters in Fine Arts at the University of Melbourne. He has a PhD in Art History from The University of Auckland.
Professor Dunn has taught Art History for nearly 25 years and was Head of the University of Auckland’s Art History Department before he was appointed to the Chair at Elam in 1994. He sat on the board of the Auckland Art Gallery from 1977 to 1996. He has published more than 24 books on artists and art-related topics as well as many papers and articles for specialist journals around the world.

Contents
Acknowledgements
Introduction
I Early Carvers and Masons: 1860–۱۸۹۰
II Public Statuary of the Victorian and Edwardian Periods
III The Origins of Local Sculpture
IV Sculpture Between the Wars: 1918–۱۹۳۹
V The La Trobe Scheme: Sculpture and the Art Schools: 1920–۱۹۶۰
VI Post-War Sculpture: 1945–۱۹۶۵
VII Figurative Sculpture Post-1960
VIII Abstraction and Modernism: 1960–۱۹۹۰
IX Post-Object and Conceptual Art: 1969 to the Present
X Contemporary Maori Sculpture
XI Contemporary Sculpture in New Zealand
Bibliography
List of Figures and Plates
Photo Credits
Index

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